(that's a Jobs quote, btw)
Steve Jobs resigned as Apple CEO today, possibly because of his health. Taken from his official resignation letter, he says, "I have always said if there ever came a day when I could no longer meet my duties and expectations as Apple's CEO, I would be the first to let you know. Unfortunately, that day has come."
This, coupled with a few emails I've gotten from readers and aspiring writers over the last few days, has made me really pensive. So I'm going to quote Steve Jobs' 2005 Stanford commencement address below:
"Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart."
You only have one life. Don't spend your precious days working at a job to please your parents, or at a job you hate in exchange for some financial security. Believe me, I understand--I still regret not majoring in art and I almost went for a career I would have hated. I know the urgency of a roof over my head and food on the table, but my life's work should never be something I don't want to do. Do what you have to do to survive, but never lose sight of your real goals. Never get lost in the maze of Security. As Steve Jobs says, you have got, you have GOT, to find what you love. Life is just far too short to be spent otherwise. It stuns me every time I stop to think about how much Jobs has achieved in only 55 years of life. I hope that I'm able to achieve even a sliver of that.
If you know that you'll regret pursuing an accounting degree instead of a creative writing degree, pursue the creative writing degree. If you want to be an artist instead of a doctor, then be an artist. Be brave. Have faith. Do it. You only get one shot at life.
Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts
Wednesday, August 24, 2011
Wednesday, April 20, 2011
The Pansy Love Scene
(Reposted from my deviantArt blog)
I've thought about this on and off for a while, and although I know the topic's been covered to death before, I felt idle enough today to organize it into a blog post. Or maybe this post isn't so organized. Anyway. I'm not sure if this is a touchy subject or not, so please don't throw tomatoes at me. Just my ramblings!
It's no secret that the U.S. has a bit of a 'warrior nation' syndrome. Do our hackles rise at excessive violence in our books and media? Meh, sometimes...although you'd never know it, what with all those SAW sequels. We may grumble under our breath now and then about gratuitous violence, but by and large we accept it as a necessity for entertainment.
Do our hackles rise at sex? Much more so than violence. Even the most violent Young Adult novels (think The Hunger Games) will succumb to making their love scenes fade to black. Now, I understand that because the books are written for a younger demographic, there are obviously certain scenes that just aren't appropriate to put in. But blowing up legs, mangling flesh, etc? A few lashes get batted at that, but not much more. When sex is mentioned in books, it's usually accompanied by the character very very blatantly pulling out condoms ("Teens, practice safe sex!"), or having the two characters who have sex get married first or never break up EVER and get married down the line and have pretty children ("Teens, if you have sex with someone, that better be the person you'll marry later on"). Pansy Love Scenes, as I've come to call them. :) When violence is mentioned in books (which is almost every book, including mine), there's no expectation that the author needs to put in some sort of afternoon school special warning on it. Characters punch, kick, and kill each other with reckless abandon. Few of those violent acts have very serious repercussions.
Now, having said that, I used to do the exact same thing. I did this in the very first draft of LEGEND, up until my agent Kristin called me out on it. Why is your main character killing people with reckless abandon? she'd said. He's moral. He's the good guy. He would think twice about killing anyone, even a person who works for the dark side. And she was completely right. After this, I started seeing my story in a new light. When there's violence, I hope I show a very good reason for it. When a character is attacked or dies, it's not gratuitous. And later on, if there's sex, I hope I do it justice. Because sex is no worse than violence. On the contrary, I'd say sex is way way WAY better than violence, right? Make love, not war?
This is not to say sex scenes should be gratuitous. Nothing should be gratuitous, neither sex nor violence, and if they're in a story, they better have a good reason for being there. There are a few YA novels I've read where I think the love scenes were done nicely, balancing tasteful writing with the bravery to describe more than Pansy Love. One good example I can think of: Simone Elkeles PERFECT CHEMISTRY. Yes, the love scene does involve condoms and true love, but who cares--there is no fading to black, it's a fantastic, tastefully done scene, neither vague nor gratuitous. It's super romantic. And makes perfect sense in the plot.
I don't mean that I don't like YA novels with excess violence and pansy love scenes. Many of them are my all-time favorites. This isn't a commentary on the authors and their books, but on the peculiar American culture that I understand we all have to cater to. If a book has a particularly violent scene, parents don't usually worry about it. If there's a sex scene, parents jump on it. Case in point: Kody Keplinger's debut THE DUFF. A book offering a candid, non-preachy plot with teen sex (and written by a teen, so I'm pretty sure it's accurate). When reading reviews on it, I see the huge amount of inevitable "too much sex, inappropriate". Granted, people also criticize The Hunger Games for having too much violence, but the uproar raised over that is half-hearted at best.
I'm not sure where I'm going with this, but for me it really just comes down to: I'd like to read less Pansy Love Scenes in YA and more tasteful, honest love scenes. If the story is better with that love scene, do it justice.
I've thought about this on and off for a while, and although I know the topic's been covered to death before, I felt idle enough today to organize it into a blog post. Or maybe this post isn't so organized. Anyway. I'm not sure if this is a touchy subject or not, so please don't throw tomatoes at me. Just my ramblings!
It's no secret that the U.S. has a bit of a 'warrior nation' syndrome. Do our hackles rise at excessive violence in our books and media? Meh, sometimes...although you'd never know it, what with all those SAW sequels. We may grumble under our breath now and then about gratuitous violence, but by and large we accept it as a necessity for entertainment.
Do our hackles rise at sex? Much more so than violence. Even the most violent Young Adult novels (think The Hunger Games) will succumb to making their love scenes fade to black. Now, I understand that because the books are written for a younger demographic, there are obviously certain scenes that just aren't appropriate to put in. But blowing up legs, mangling flesh, etc? A few lashes get batted at that, but not much more. When sex is mentioned in books, it's usually accompanied by the character very very blatantly pulling out condoms ("Teens, practice safe sex!"), or having the two characters who have sex get married first or never break up EVER and get married down the line and have pretty children ("Teens, if you have sex with someone, that better be the person you'll marry later on"). Pansy Love Scenes, as I've come to call them. :) When violence is mentioned in books (which is almost every book, including mine), there's no expectation that the author needs to put in some sort of afternoon school special warning on it. Characters punch, kick, and kill each other with reckless abandon. Few of those violent acts have very serious repercussions.
Now, having said that, I used to do the exact same thing. I did this in the very first draft of LEGEND, up until my agent Kristin called me out on it. Why is your main character killing people with reckless abandon? she'd said. He's moral. He's the good guy. He would think twice about killing anyone, even a person who works for the dark side. And she was completely right. After this, I started seeing my story in a new light. When there's violence, I hope I show a very good reason for it. When a character is attacked or dies, it's not gratuitous. And later on, if there's sex, I hope I do it justice. Because sex is no worse than violence. On the contrary, I'd say sex is way way WAY better than violence, right? Make love, not war?
This is not to say sex scenes should be gratuitous. Nothing should be gratuitous, neither sex nor violence, and if they're in a story, they better have a good reason for being there. There are a few YA novels I've read where I think the love scenes were done nicely, balancing tasteful writing with the bravery to describe more than Pansy Love. One good example I can think of: Simone Elkeles PERFECT CHEMISTRY. Yes, the love scene does involve condoms and true love, but who cares--there is no fading to black, it's a fantastic, tastefully done scene, neither vague nor gratuitous. It's super romantic. And makes perfect sense in the plot.
I don't mean that I don't like YA novels with excess violence and pansy love scenes. Many of them are my all-time favorites. This isn't a commentary on the authors and their books, but on the peculiar American culture that I understand we all have to cater to. If a book has a particularly violent scene, parents don't usually worry about it. If there's a sex scene, parents jump on it. Case in point: Kody Keplinger's debut THE DUFF. A book offering a candid, non-preachy plot with teen sex (and written by a teen, so I'm pretty sure it's accurate). When reading reviews on it, I see the huge amount of inevitable "too much sex, inappropriate". Granted, people also criticize The Hunger Games for having too much violence, but the uproar raised over that is half-hearted at best.
I'm not sure where I'm going with this, but for me it really just comes down to: I'd like to read less Pansy Love Scenes in YA and more tasteful, honest love scenes. If the story is better with that love scene, do it justice.
Monday, November 22, 2010
When your characters take your story hostage
(Reposted from my deviantArt blog)
Blog lapse recently is due to the fact that I'm camped out in Houston for the week (I live in Los Angeles), visiting my stepdad and mum (and her awesomesauce cooking). :) Houston is where I grew up and went to grade/middle/high school, and I still think of it as my hometown. All mosquitoes aside, it's not half bad.
In book news, I've finished my revisions on Legend, and am back at work on Legend 2--although it always takes me a few days to get back into the groove. Currently L2 wordcount is at 32,085. I think my writing goals might be sporadic at best throughout Thanksgiving week, but we'll see how it goes.
In writing L2, I've started learning a few things about my writing habits. Writers usually fall somewhere in the middle of the spectrum of writing obsessively to a detailed outline, or writing freestyle where you just let every chapter take you wherever the story might go with no cohesive novel plan. I am no different. With L2, I started out with a general chapter-by-chapter outline but quickly realized about 7 chapters in that it was starting to veer off my planned path. Which is no surprise, seeing as Legend did the same thing. It's because as I write, my characters develop in ways that I don't expect, and their surprising motivations and actions start to change the mold of where the story's supposed to go. If I originally planned for everyone to meet in some bordertown, for instance, one of the characters will mutiny halfway there and strike out on their own. Or some other character might deceive another out of jealousy and/or spite. This stuff all happens out of nowhere, and when they come up, I'm always blindsided by it. And then I can do nothing but listen to the characters, even though they usually leave my neatly plotted outline in an apocalyptic wreck.
This used to freak me out a bit, as it does not help me plan out an accurate schedule for when I can finish the book in question. But lately I've learned that this is simply my brain's process, that in the end all of the pieces will connect (sometimes with duct tape and string), and that the characters will still arrive at the basic ending I have chosen for them. That's one thing that hasn't changed so far--the beginnings and the ends of my stories. No matter what twists and turns my characters decide to take for me in the middles, the endings always come out the same. It's like they try to avoid their fates, in vain. Mwahaha.
Blog lapse recently is due to the fact that I'm camped out in Houston for the week (I live in Los Angeles), visiting my stepdad and mum (and her awesomesauce cooking). :) Houston is where I grew up and went to grade/middle/high school, and I still think of it as my hometown. All mosquitoes aside, it's not half bad.
In book news, I've finished my revisions on Legend, and am back at work on Legend 2--although it always takes me a few days to get back into the groove. Currently L2 wordcount is at 32,085. I think my writing goals might be sporadic at best throughout Thanksgiving week, but we'll see how it goes.
In writing L2, I've started learning a few things about my writing habits. Writers usually fall somewhere in the middle of the spectrum of writing obsessively to a detailed outline, or writing freestyle where you just let every chapter take you wherever the story might go with no cohesive novel plan. I am no different. With L2, I started out with a general chapter-by-chapter outline but quickly realized about 7 chapters in that it was starting to veer off my planned path. Which is no surprise, seeing as Legend did the same thing. It's because as I write, my characters develop in ways that I don't expect, and their surprising motivations and actions start to change the mold of where the story's supposed to go. If I originally planned for everyone to meet in some bordertown, for instance, one of the characters will mutiny halfway there and strike out on their own. Or some other character might deceive another out of jealousy and/or spite. This stuff all happens out of nowhere, and when they come up, I'm always blindsided by it. And then I can do nothing but listen to the characters, even though they usually leave my neatly plotted outline in an apocalyptic wreck.
This used to freak me out a bit, as it does not help me plan out an accurate schedule for when I can finish the book in question. But lately I've learned that this is simply my brain's process, that in the end all of the pieces will connect (sometimes with duct tape and string), and that the characters will still arrive at the basic ending I have chosen for them. That's one thing that hasn't changed so far--the beginnings and the ends of my stories. No matter what twists and turns my characters decide to take for me in the middles, the endings always come out the same. It's like they try to avoid their fates, in vain. Mwahaha.
Tuesday, November 09, 2010
Questions about writing/publishing industry
(Reposted from my deviantArt blog)
Legend 2 progress: Finally had some decent writing yesterday and today after about a week of false starts and crappy chapters. I'm officially at 27,759 words. Hoping to get in at least 1,000 today, without having to go back and delete all of it like I've been doing. :) Day just got whacked in the face by someone. Poor boy.
-----
A commenter on my last entry suggested I should post some of the questions and my answers about writing/publishing in a new journal entry to make it easier to follow, so here I go!
Q: How did you go about deciding on what you wanted your story to accomplish, and figure out your basic plotline? Do you have any kind of suggestions about how to actually get through a first draft?
A: Plotting is extremely hard, much harder than I thought it would be before I started writing. I still have trouble coming up with good "what happens next?" plot points as I'm working on Legend 2. I think it helps to start with a catalyst event. What happens to set off a chain reaction of events in your story? That's the beginning. For example, in Legend, I came up with the characters first and I knew that I wanted it to be Day-the-boy-criminal vs. June-the-girl-detective. Then I thought about how I would get the two of them to cross paths. And from there, I created an event where Day would commit a crime that would force June into investigating it and hunting him down. What does one character want that another character doesn't want them to have? It helps to look into the relationships (and especially conflicts) between your main characters, and use that conflict between them to think of physical events that have to set off your story in motion.
Q: Do you think marketability is something that aspiring authors should keep in mind for their first novels; whether or not it will be easy to get onto the market?
A: It does help to keep a story's marketability in mind, to a certain extent. You still need to love the story you're writing. For example, I don't read a lot of vampire/paranormal novels (although I occasionally dabble). Even though they're really hot right now, I don't think I could write a good vampire novel because I'm just not as interested in it. And that will show.
The manuscript I wrote before Legend was a quieter historical novel about Mozart and his sister when they were children. I loved the story, but I also knew that it just wasn't a topic/genre that would spark heavy interest in the industry, and that even if it did sell, it probably wouldn't sell for a lot. It was purely a labor of love. With Legend, which was also a labor of love starring characters I'd had for years (any story of mine starring my character Day is a labor of love :) ), I remember thinking to myself, "Ok, this should also be considered commercial. If THIS one doesn't get published, then it's never going to happen for me. This is as good of a story as I can write, and I don't think I can make anything else better."
Q: How would you recommend going through the drafting process? For example, do you pause to proof-read as you go or just keep going to the end then look back?
A: Ah, I do actually have a very set opinion on this! I always pause to proof-read before I continue, even in a novel's first draft. I know a lot of writers who don't do this and can continue on just fine, but it never works for me. I have to proof-read. I tried not proofreading once, and by the time I finished the first draft there were so many problems with the story that I just got discouraged and gave up on it. I think it helps to jump backward and edit so that the next chapters can go smoothly, because details you change early on can have a big effect on later plot points. I think it's best to get that down when the things you want to change are fresh in your mind.
If I'm having a really hard time with one particular chapter, though, sometimes I do just skip ahead to the next chapter. (I just did this last week, actually) I'll make a note to myself of what's supposed to be happening in the chapter that I skip, so that I don't forget. Then I go back later when I'm not so brain dead, and fill it in.
Q: How does the process of getting an agent work? Do you send your manuscript to them and then they decide whether or not they want to represent you? Does this part come before or after contacting publishers or does the agent like, help you with that? And maybe the most importantly, how much does it cost to do all this?
A: FIRST AND FOREMOST. None of this should cost you anything except your time (and occasionally stamps, if you have to snail mail query letters/manuscripts). If an agent wants you to pay them for representing you, RUN. That is a scam agent. Legit agents only take a 15% commission from the actual sale of your book to a publisher, and never before. Also, real publishers pay YOU, not the other way around. Any publisher that says you need to pay to have your book published is a vanity publisher, not a real publisher. (And in this day and age of e-books, you really shouldn't need to go to them....just head over to Amazon if you want to self-publish. :) )
Remember, you are selling your work to a company. Not buying. So they pay you.
-----
Hope this is helpful!
Legend 2 progress: Finally had some decent writing yesterday and today after about a week of false starts and crappy chapters. I'm officially at 27,759 words. Hoping to get in at least 1,000 today, without having to go back and delete all of it like I've been doing. :) Day just got whacked in the face by someone. Poor boy.
-----
A commenter on my last entry suggested I should post some of the questions and my answers about writing/publishing in a new journal entry to make it easier to follow, so here I go!
Q: How did you go about deciding on what you wanted your story to accomplish, and figure out your basic plotline? Do you have any kind of suggestions about how to actually get through a first draft?
A: Plotting is extremely hard, much harder than I thought it would be before I started writing. I still have trouble coming up with good "what happens next?" plot points as I'm working on Legend 2. I think it helps to start with a catalyst event. What happens to set off a chain reaction of events in your story? That's the beginning. For example, in Legend, I came up with the characters first and I knew that I wanted it to be Day-the-boy-criminal vs. June-the-girl-detective. Then I thought about how I would get the two of them to cross paths. And from there, I created an event where Day would commit a crime that would force June into investigating it and hunting him down. What does one character want that another character doesn't want them to have? It helps to look into the relationships (and especially conflicts) between your main characters, and use that conflict between them to think of physical events that have to set off your story in motion.
Q: Do you think marketability is something that aspiring authors should keep in mind for their first novels; whether or not it will be easy to get onto the market?
A: It does help to keep a story's marketability in mind, to a certain extent. You still need to love the story you're writing. For example, I don't read a lot of vampire/paranormal novels (although I occasionally dabble). Even though they're really hot right now, I don't think I could write a good vampire novel because I'm just not as interested in it. And that will show.
The manuscript I wrote before Legend was a quieter historical novel about Mozart and his sister when they were children. I loved the story, but I also knew that it just wasn't a topic/genre that would spark heavy interest in the industry, and that even if it did sell, it probably wouldn't sell for a lot. It was purely a labor of love. With Legend, which was also a labor of love starring characters I'd had for years (any story of mine starring my character Day is a labor of love :) ), I remember thinking to myself, "Ok, this should also be considered commercial. If THIS one doesn't get published, then it's never going to happen for me. This is as good of a story as I can write, and I don't think I can make anything else better."
Q: How would you recommend going through the drafting process? For example, do you pause to proof-read as you go or just keep going to the end then look back?
A: Ah, I do actually have a very set opinion on this! I always pause to proof-read before I continue, even in a novel's first draft. I know a lot of writers who don't do this and can continue on just fine, but it never works for me. I have to proof-read. I tried not proofreading once, and by the time I finished the first draft there were so many problems with the story that I just got discouraged and gave up on it. I think it helps to jump backward and edit so that the next chapters can go smoothly, because details you change early on can have a big effect on later plot points. I think it's best to get that down when the things you want to change are fresh in your mind.
If I'm having a really hard time with one particular chapter, though, sometimes I do just skip ahead to the next chapter. (I just did this last week, actually) I'll make a note to myself of what's supposed to be happening in the chapter that I skip, so that I don't forget. Then I go back later when I'm not so brain dead, and fill it in.
Q: How does the process of getting an agent work? Do you send your manuscript to them and then they decide whether or not they want to represent you? Does this part come before or after contacting publishers or does the agent like, help you with that? And maybe the most importantly, how much does it cost to do all this?
A: FIRST AND FOREMOST. None of this should cost you anything except your time (and occasionally stamps, if you have to snail mail query letters/manuscripts). If an agent wants you to pay them for representing you, RUN. That is a scam agent. Legit agents only take a 15% commission from the actual sale of your book to a publisher, and never before. Also, real publishers pay YOU, not the other way around. Any publisher that says you need to pay to have your book published is a vanity publisher, not a real publisher. (And in this day and age of e-books, you really shouldn't need to go to them....just head over to Amazon if you want to self-publish. :) )
Remember, you are selling your work to a company. Not buying. So they pay you.
-----
Hope this is helpful!
Tuesday, October 05, 2010
Just one of those days
Today is such a writer's block day. It's so heavily a writer's block day that it's not even funny. I wrote 600 words, then trashed them in exasperation. Then I skipped ahead a chapter and wrote another couple hundred words, and trashed them too. Finally managed to squeeze out about 400 halfway decent words, but I may very well read them tomorrow morning and find that they also suck, and throw them into the raging inferno as well.
Closed Word in a cranky huff. Then went online and bought two pairs of ankle boots.
It's just one of those days....
Closed Word in a cranky huff. Then went online and bought two pairs of ankle boots.
It's just one of those days....
Saturday, September 18, 2010
Book 2
I've gotten about 1/4 of the way into writing Legend 2. I've definitely had fits and starts, and all those rumors about how hard it is to write the sophomore novel are true...but today it at least flowed well. Halfway through my daily words, when Day and June are having a hissy fit, I realized that there was a nice little plot twist staring me in the face and it wanted badly to go into the book. So I stopped to jot that one down in my notes, and now I am a happy squirrel.
I swear, writing Legend 2 is like being bipolar. One day, I'm all "this is going to be great. This is going to be better than Book 1 and everyone's going to love me and give me cupcakes." And then the next day, I'm all "this is horrible. This is crap. How can I call myself a writer? This is the worst drivel I've ever written and my fledgling career is over."
But today, thankfully, is a cupcake day. :)
I swear, writing Legend 2 is like being bipolar. One day, I'm all "this is going to be great. This is going to be better than Book 1 and everyone's going to love me and give me cupcakes." And then the next day, I'm all "this is horrible. This is crap. How can I call myself a writer? This is the worst drivel I've ever written and my fledgling career is over."
But today, thankfully, is a cupcake day. :)
Thursday, September 16, 2010
Thoughts on Stephenie Meyer and Dan Brown
I was watching an interview with Stephenie Meyer on YouTube today, and also simultaneously reading a blog entry from another writer that essentially labeled Ms. Meyer as a, to paraphrase, poor writer who wrote a horrible book. With no further explanation on why he/she thought this was so.
I see comments all the time about Twilight along those lines, and it frustrates me more and more each time I see them. I can understand if readers are simply posting their thoughts about the book, and legitimate reasons why they didn't like it or weren't drawn into it. After all, readers are the customers. They have the right to dislike things and blow them off. But it's somehow irritating when professional writers simply flip their hand at Stephenie Meyer and brush off her success as somehow being just luck, or that she has absolutely no talent, or that her writing is 'horrible' without even giving a thought to what they find so horrible about it.
I'm not saying that Twilight is on par with, I don't know, Shakespeare, or whatever is considered literary genius. Then again, maybe it is. Who's to say. But clearly Meyer did something right with Twilight, because there have been plenty of other books that publishers have thrown tons of money behind and have just sunken like rocks to the bottom of the industry pool. You can't have the sort of success Twilight has seen without having the support of millions of readers. And those readers are not buying her books and telling their friends to buy her books because they think she's a horrible writer. Something has clicked with them inside those pages, and naysaying writers would do themselves a great service if they would just admit this and try to study how Meyer managed to capture her readers' imaginations. It may not be your cup of tea, but obviously it's the cup of tea for a lot of others, and if the tea is really that popular there must be something delicious in it.
I'll admit that I'm not a huge paranormal reader. But I do read it, especially the ones that garner critical acclaim or popularity with the public, because I want to see how they did it. For Twilight, imho, Meyer hooks you in the first 50 pages because she introduces Edward and Bella and their attraction to each other, and then withholds Edward from Bella for an agonizing amount of time. Bella's fascinated by this guy, and then he disappears for days, leaving her to ponder in growing anxiety. When will she see him again? the reader wonders. And why does he react to her in the way that he does? Even though Bella might think he hates her, we obviously know better by the subtle things he does, how he takes notice of her in an understated way (at least in the beginning). That's what kept me reading when I picked up Twilight. Meyer uses this device again in New Moon--separating the star-crossed lovers for agonizing lengths of time. And although there are parts of the books that didn't resonate with me (i.e. my connection to Bella as a character went up and down, and I am much more attracted to Jacob's earnestness than to Edward's emo-ness), I do see and respect the parts of it that have hooked so many others.
The same goes for Dan Brown. Writers, especially writers-who-want-to-make-it, don't diss Dan Brown. Look at what he did right. The man is a genius at creating fascinating conspiracy theories (possible alien microbes in Antarctica, or government secret? did Jesus have offspring? did Da Vinci really hide secrets in his paintings? etcetc) as well as chapters overloaded with active conflict. That's his strength and the drawing power of his novels. If you're a thriller writer, look at his weaknesses (i.e. oversimplified, weak characters, imho) with a thoughtful eye, then write a thriller with an equally fascinating premise and make your own characters deeper and more fully fleshed out. Draw on his strengths. Avoid his weaknesses. Don't diss him.
Yes, luck did play a role in the wild success of some of these writers. But they couldn't have gotten there from writing horrible books. Meyer and Brown write highly commercial novels. Their books are full of the things that big blockbusters have--forbidden love, conspiracy, plots that are not too hard to follow (for the most part), and conflict conflict conflict. If you're a writer who only wants to write glittering prose full of well-turned phrases, all the more power to you. But if you want to be commercially successful, don't sit there taking cheap shots at more successful writers that you secretly wish you could be standing on their podiums with. We're all writers trying to create the best entertainment we can for our readers. What's to hate?
Anyway, just wanted to get that off my chest. :)
I see comments all the time about Twilight along those lines, and it frustrates me more and more each time I see them. I can understand if readers are simply posting their thoughts about the book, and legitimate reasons why they didn't like it or weren't drawn into it. After all, readers are the customers. They have the right to dislike things and blow them off. But it's somehow irritating when professional writers simply flip their hand at Stephenie Meyer and brush off her success as somehow being just luck, or that she has absolutely no talent, or that her writing is 'horrible' without even giving a thought to what they find so horrible about it.
I'm not saying that Twilight is on par with, I don't know, Shakespeare, or whatever is considered literary genius. Then again, maybe it is. Who's to say. But clearly Meyer did something right with Twilight, because there have been plenty of other books that publishers have thrown tons of money behind and have just sunken like rocks to the bottom of the industry pool. You can't have the sort of success Twilight has seen without having the support of millions of readers. And those readers are not buying her books and telling their friends to buy her books because they think she's a horrible writer. Something has clicked with them inside those pages, and naysaying writers would do themselves a great service if they would just admit this and try to study how Meyer managed to capture her readers' imaginations. It may not be your cup of tea, but obviously it's the cup of tea for a lot of others, and if the tea is really that popular there must be something delicious in it.
I'll admit that I'm not a huge paranormal reader. But I do read it, especially the ones that garner critical acclaim or popularity with the public, because I want to see how they did it. For Twilight, imho, Meyer hooks you in the first 50 pages because she introduces Edward and Bella and their attraction to each other, and then withholds Edward from Bella for an agonizing amount of time. Bella's fascinated by this guy, and then he disappears for days, leaving her to ponder in growing anxiety. When will she see him again? the reader wonders. And why does he react to her in the way that he does? Even though Bella might think he hates her, we obviously know better by the subtle things he does, how he takes notice of her in an understated way (at least in the beginning). That's what kept me reading when I picked up Twilight. Meyer uses this device again in New Moon--separating the star-crossed lovers for agonizing lengths of time. And although there are parts of the books that didn't resonate with me (i.e. my connection to Bella as a character went up and down, and I am much more attracted to Jacob's earnestness than to Edward's emo-ness), I do see and respect the parts of it that have hooked so many others.
The same goes for Dan Brown. Writers, especially writers-who-want-to-make-it, don't diss Dan Brown. Look at what he did right. The man is a genius at creating fascinating conspiracy theories (possible alien microbes in Antarctica, or government secret? did Jesus have offspring? did Da Vinci really hide secrets in his paintings? etcetc) as well as chapters overloaded with active conflict. That's his strength and the drawing power of his novels. If you're a thriller writer, look at his weaknesses (i.e. oversimplified, weak characters, imho) with a thoughtful eye, then write a thriller with an equally fascinating premise and make your own characters deeper and more fully fleshed out. Draw on his strengths. Avoid his weaknesses. Don't diss him.
Yes, luck did play a role in the wild success of some of these writers. But they couldn't have gotten there from writing horrible books. Meyer and Brown write highly commercial novels. Their books are full of the things that big blockbusters have--forbidden love, conspiracy, plots that are not too hard to follow (for the most part), and conflict conflict conflict. If you're a writer who only wants to write glittering prose full of well-turned phrases, all the more power to you. But if you want to be commercially successful, don't sit there taking cheap shots at more successful writers that you secretly wish you could be standing on their podiums with. We're all writers trying to create the best entertainment we can for our readers. What's to hate?
Anyway, just wanted to get that off my chest. :)
Tuesday, September 07, 2010
Penguin/Putnam Children's is publishing my novel! A 3-book deal!
(Reposted from my deviantArt blog)
I've been sitting on pins and needles for a full month waiting for the green light to announce this news publicly. And today, I finally got the thumbs up from my literary agent (the amazing Kristin Nelson) that I can make it official.
My young adult novel, LEGEND, is going to be published by Penguin Group (imprint Putnam Children's) as part one of a trilogy!!!!! A three-book deal! And not only that--LEGEND is going to be Putnam Children's Lead Title for Fall 2011!! I'm going to be a published author with a major publisher. OMG OMG.
Here's the official news from Publisher's Marketplace:
---
FICTION: YOUNG ADULT
Flash media and online game artist Marie Lu's debut LEGEND trilogy, set in the flooded Republic of Los Angeles 2130 A.D., about a boy who is the Republic's most wanted criminal and a girl who is the Republic's most beloved government prodigy whose paths cross when her brother is murdered and she is hired to hunt down the boy responsible -- but the truth they uncover will become legend, to Jen Besser at Putnam Children's [Penguin Group], in a major deal, at auction, for fall 2011 publication, by Kristin Nelson at Nelson Literary Agency (World).
query@nelsonagency.com
UK & Foreign: helen.boomer@us.penguingroup.com
Film: EvashevskiK@unitedtalent.com
---
And from Publisher's Weekly:
---
Putnam Kids Invests in Facebook Game Designer
Jennifer Besser at G.P. Putnam's Sons Books for Young Readers [Penguin Group] bought world rights, in a three-book deal, to the debut dystopian novel by Marie Lu, Legend. Lu works as an art director for a Los Angeles video game company (note: actually the company is in Austin but that's ok :) ), and the book is built around the world she created for a Facebook game, also called Legend, that currently has over 13,000 subscribers. The book is set in 2130 in a Los Angeles that has been submerged by flooding. A girl who is a prodigy being groomed for government work meets a boy who is one of the state's most-wanted criminals. The main characters' love story—she's tasked with finding his brother's killer—is based loosely on Les Misérables. Legend, which is scheduled for December 2011, is the first book in a planned trilogy; Kristin Nelson at Nelson Literary brokered the deal, and Kassie Evashevski at UTA is handling film rights.
---
This is how it happened. After two rewrites where Agent Kristin and I hammered LEGEND into a presentable form, we sent it out on submission on July 9 (two days before I turned 26). Now, I've been on submission before. Twice. Having that experience, I was ready for the LONG haul, the 6 month wait for rejections and "I loved it, but" letters from kind-but-professional editors.
One week passed. I spent my birthday in a nervous wreck.
Then I heard from Kristin that there were two editors who had read and loved LEGEND. One of these editors was someone I'd heard a great deal about, and when Kristin said her name, I almost fainted in front of my laptop (good thing I didn't, or else I'd probably have QWERTY embedded permanently on my forehead). The other editor was the editor for one of my favorite YA books. Can we say faint x 2?
However, as aforementioned, I've been on submission before. I've been down the road of "Editors are liking it" and then "Editors decided ultimately to say no". So I toughened up as much as I could, and got ready for the inevitable rejections from both of these incredible editors.
Another week passed. Then Kristin told me she was going to be setting up an auction. 6 publishers were interested. At first I laughed at the email. Oh Kristin. Sometimes you are such a joker. Then I read it again, got tingly feelings in my fingers and toes, and ran around my apartment until I collapsed in exhaustion. Still, STILL, I felt like everything could fall through. That was what I'd gotten used to, anyway. Auction day would come and no one would show up. They've all decided that they'd rather not buy LEGEND. Back to the drawing board.
But that didn't happen. Instead, I got to talk to each of these editors on the phone. This may have been the most exciting part of the process (ok, the 2nd most exciting part). To hear industry professionals rave about your manuscript is as amazing as a cheesecake made of double rainbows. I was smiling so hard that my boyfriend thought I'd gone off the deep end.
So auction day came. I alternated every few minutes between absolute JOY and sheer abject TERROR. They all want the book! I haven't heard from Kristin in 6 minutes--something must've gone terribly wrong and everyone dropped out! They all want the book! I haven't heard from Kristin in 14 minutes--something must've gone terribly wrong and everyone dropped out! And repeat.
Several times throughout this day, Kristin would call me with updates that made me lose all feeling in my brain. (This is an extremely surreal feeling. I've never had a numb brain before.... well, not that numb.) Then, as the auction's final round started, I spent 3 hours doing nothing but rocking back and forth manically on my couch while my boyfriend tried in vain to soothe me. I stared at my phone without pause, willing it to ring. My trigger finger hovered over the "refresh" button in my email inbox. (Even though it refreshes automatically by itself.)
Silence. 3 hours of it!
Terror set in. All the editors dropped out. They must have. Kristin just doesn't want to tell me yet--she must not want to break my heart. NOTHING ELSE CAN EXPLAIN THIS SILENCE!!!
Finally, late in the afternoon, I got a call from Kristin. The Call. This is how it went down....sort of:
Kristin: You have a very hard choice to make. Are you ready for this?
Marie: Am I going to faint?
Kristin: Yes, I think you might faint.
Marie: [sits down on couch to keep from falling too hard, then listens in quiet stupor]
Kristin: *lists out the final offers*
Marie: *NUMB. This is the only word appropriate for the feeling in my entire body. NUM NUM NUMMY NUMMY NUMB.*
Kristin: Still there? Are you listening to me?
Marie: I didn't understand a word of what you said. Each deal sounds like it's made out of red velvet cupcakes.
Kristin: (thinking) Oh Marie. Thank god you're not doing this by yourself or we might all be in the papers tomorrow--and not in a good way.
Marie: *still numb*
Kristin: Do you need the night to think it over?
Marie: *babbles incoherently in a squeaky voice*
Kristin: Ok, yeah, I think you need the night. Let me know what you decide in the morning!
Marie: Okay!
[Phone call ends]
Several moments of silence. Several moments of unbridled joyful shrieking with boyfriend.
And then .... I burst into tears. I just cracked. I don't think I've ever really felt true joy in my life up until then. Sure, I've felt happiness plenty of times. There are so many things I'm happy about. But joy is different from happiness. Joy makes you cry. Joy is about achieving something you have worked so hard and so long to get. It unleashes emotions of relief, pain, rage, passion, ecstasy, fear, excitement, and fulfillment in one giant ball of glory that completely overwhelms the boundaries of your mind. It is rare. (Unless you're high on shrooms or something, I guess.) It is the most amazing feeling in the world.
And when I burst into tears after The Call with Kristin, I felt joy like I've never felt before. I have been trying to get published since I was 14. I have been rejected hundreds of times. I've written 4 unpublished manuscripts, 2 of which made it all the way to the agent+submission level only to slowly fade away into oblivion at the end of the submission cycle. I'd started to think it might never happen.
But now it's happening, really happening. Penguin is releasing the first book of my trilogy in December 2011, and my editor is none other than Jen Besser, the editor of the (drumroll) PERCY JACKSON BOOKS. (I even have a film agent now, Kassie Evashevski!) The characters living inside my head are actually going to meet the reading public.
A dream come true, after 12 years of struggling.
*faint*
I am so unbelievably thankful for my agent Kristin Nelson, who stuck by my side through the good times and the bad (if you're a writer and wondering whether or not you need an agent, I am telling you right now that YES YOU DO); for the amazing and wonderful editors that each gave me a chance to fulfill my dream; and for the people in my life that always believed I could do it and that I wasn't wasting my time.
Anyway, that's the big news! My characters will actually be in a bookstore near you next fall! Boyfriend and I are celebrating with some delectable veggie food and fancy wine (although honestly, I can't tell the difference between good and bad wine....they all seem the same). And now, there are only 2 thoughts I have the strength to comprehend in my incoherent brain:
1) I really hope people buy the book when it comes out
2) Damn, I better get crackin on LEGEND 2
I've been sitting on pins and needles for a full month waiting for the green light to announce this news publicly. And today, I finally got the thumbs up from my literary agent (the amazing Kristin Nelson) that I can make it official.
My young adult novel, LEGEND, is going to be published by Penguin Group (imprint Putnam Children's) as part one of a trilogy!!!!! A three-book deal! And not only that--LEGEND is going to be Putnam Children's Lead Title for Fall 2011!! I'm going to be a published author with a major publisher. OMG OMG.
Here's the official news from Publisher's Marketplace:
---
FICTION: YOUNG ADULT
Flash media and online game artist Marie Lu's debut LEGEND trilogy, set in the flooded Republic of Los Angeles 2130 A.D., about a boy who is the Republic's most wanted criminal and a girl who is the Republic's most beloved government prodigy whose paths cross when her brother is murdered and she is hired to hunt down the boy responsible -- but the truth they uncover will become legend, to Jen Besser at Putnam Children's [Penguin Group], in a major deal, at auction, for fall 2011 publication, by Kristin Nelson at Nelson Literary Agency (World).
query@nelsonagency.com
UK & Foreign: helen.boomer@us.penguingroup.com
Film: EvashevskiK@unitedtalent.com
---
And from Publisher's Weekly:
---
Putnam Kids Invests in Facebook Game Designer
Jennifer Besser at G.P. Putnam's Sons Books for Young Readers [Penguin Group] bought world rights, in a three-book deal, to the debut dystopian novel by Marie Lu, Legend. Lu works as an art director for a Los Angeles video game company (note: actually the company is in Austin but that's ok :) ), and the book is built around the world she created for a Facebook game, also called Legend, that currently has over 13,000 subscribers. The book is set in 2130 in a Los Angeles that has been submerged by flooding. A girl who is a prodigy being groomed for government work meets a boy who is one of the state's most-wanted criminals. The main characters' love story—she's tasked with finding his brother's killer—is based loosely on Les Misérables. Legend, which is scheduled for December 2011, is the first book in a planned trilogy; Kristin Nelson at Nelson Literary brokered the deal, and Kassie Evashevski at UTA is handling film rights.
---
This is how it happened. After two rewrites where Agent Kristin and I hammered LEGEND into a presentable form, we sent it out on submission on July 9 (two days before I turned 26). Now, I've been on submission before. Twice. Having that experience, I was ready for the LONG haul, the 6 month wait for rejections and "I loved it, but" letters from kind-but-professional editors.
One week passed. I spent my birthday in a nervous wreck.
Then I heard from Kristin that there were two editors who had read and loved LEGEND. One of these editors was someone I'd heard a great deal about, and when Kristin said her name, I almost fainted in front of my laptop (good thing I didn't, or else I'd probably have QWERTY embedded permanently on my forehead). The other editor was the editor for one of my favorite YA books. Can we say faint x 2?
However, as aforementioned, I've been on submission before. I've been down the road of "Editors are liking it" and then "Editors decided ultimately to say no". So I toughened up as much as I could, and got ready for the inevitable rejections from both of these incredible editors.
Another week passed. Then Kristin told me she was going to be setting up an auction. 6 publishers were interested. At first I laughed at the email. Oh Kristin. Sometimes you are such a joker. Then I read it again, got tingly feelings in my fingers and toes, and ran around my apartment until I collapsed in exhaustion. Still, STILL, I felt like everything could fall through. That was what I'd gotten used to, anyway. Auction day would come and no one would show up. They've all decided that they'd rather not buy LEGEND. Back to the drawing board.
But that didn't happen. Instead, I got to talk to each of these editors on the phone. This may have been the most exciting part of the process (ok, the 2nd most exciting part). To hear industry professionals rave about your manuscript is as amazing as a cheesecake made of double rainbows. I was smiling so hard that my boyfriend thought I'd gone off the deep end.
So auction day came. I alternated every few minutes between absolute JOY and sheer abject TERROR. They all want the book! I haven't heard from Kristin in 6 minutes--something must've gone terribly wrong and everyone dropped out! They all want the book! I haven't heard from Kristin in 14 minutes--something must've gone terribly wrong and everyone dropped out! And repeat.
Several times throughout this day, Kristin would call me with updates that made me lose all feeling in my brain. (This is an extremely surreal feeling. I've never had a numb brain before.... well, not that numb.) Then, as the auction's final round started, I spent 3 hours doing nothing but rocking back and forth manically on my couch while my boyfriend tried in vain to soothe me. I stared at my phone without pause, willing it to ring. My trigger finger hovered over the "refresh" button in my email inbox. (Even though it refreshes automatically by itself.)
Silence. 3 hours of it!
Terror set in. All the editors dropped out. They must have. Kristin just doesn't want to tell me yet--she must not want to break my heart. NOTHING ELSE CAN EXPLAIN THIS SILENCE!!!
Finally, late in the afternoon, I got a call from Kristin. The Call. This is how it went down....sort of:
Kristin: You have a very hard choice to make. Are you ready for this?
Marie: Am I going to faint?
Kristin: Yes, I think you might faint.
Marie: [sits down on couch to keep from falling too hard, then listens in quiet stupor]
Kristin: *lists out the final offers*
Marie: *NUMB. This is the only word appropriate for the feeling in my entire body. NUM NUM NUMMY NUMMY NUMB.*
Kristin: Still there? Are you listening to me?
Marie: I didn't understand a word of what you said. Each deal sounds like it's made out of red velvet cupcakes.
Kristin: (thinking) Oh Marie. Thank god you're not doing this by yourself or we might all be in the papers tomorrow--and not in a good way.
Marie: *still numb*
Kristin: Do you need the night to think it over?
Marie: *babbles incoherently in a squeaky voice*
Kristin: Ok, yeah, I think you need the night. Let me know what you decide in the morning!
Marie: Okay!
[Phone call ends]
Several moments of silence. Several moments of unbridled joyful shrieking with boyfriend.
And then .... I burst into tears. I just cracked. I don't think I've ever really felt true joy in my life up until then. Sure, I've felt happiness plenty of times. There are so many things I'm happy about. But joy is different from happiness. Joy makes you cry. Joy is about achieving something you have worked so hard and so long to get. It unleashes emotions of relief, pain, rage, passion, ecstasy, fear, excitement, and fulfillment in one giant ball of glory that completely overwhelms the boundaries of your mind. It is rare. (Unless you're high on shrooms or something, I guess.) It is the most amazing feeling in the world.
And when I burst into tears after The Call with Kristin, I felt joy like I've never felt before. I have been trying to get published since I was 14. I have been rejected hundreds of times. I've written 4 unpublished manuscripts, 2 of which made it all the way to the agent+submission level only to slowly fade away into oblivion at the end of the submission cycle. I'd started to think it might never happen.
But now it's happening, really happening. Penguin is releasing the first book of my trilogy in December 2011, and my editor is none other than Jen Besser, the editor of the (drumroll) PERCY JACKSON BOOKS. (I even have a film agent now, Kassie Evashevski!) The characters living inside my head are actually going to meet the reading public.
A dream come true, after 12 years of struggling.
*faint*
I am so unbelievably thankful for my agent Kristin Nelson, who stuck by my side through the good times and the bad (if you're a writer and wondering whether or not you need an agent, I am telling you right now that YES YOU DO); for the amazing and wonderful editors that each gave me a chance to fulfill my dream; and for the people in my life that always believed I could do it and that I wasn't wasting my time.
Anyway, that's the big news! My characters will actually be in a bookstore near you next fall! Boyfriend and I are celebrating with some delectable veggie food and fancy wine (although honestly, I can't tell the difference between good and bad wine....they all seem the same). And now, there are only 2 thoughts I have the strength to comprehend in my incoherent brain:
1) I really hope people buy the book when it comes out
2) Damn, I better get crackin on LEGEND 2
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